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Each artwork opens in a larger view so visitors can take in color, detail, and composition without leaving the page.
Gallery
Artwork by Mary Jill Alice Roe Bennett
This gallery is meant for quiet viewing first. Open a piece larger, spend time with the image, and use the catalog, downloads, or contact page when you want more context.
Follow the context
If a piece raises a question, the timeline, places page, and works catalog offer the clearest next steps.
Ask about a piece
Use the contact page for unpublished work, help identifying an image, or questions about permissions.
Browse With Context
The gallery connects to the rest of the tribute.
The artwork remains the visual center of the site, but you can also follow a piece into its place, date, or public record.
Art Timeline
See how known titles and dates line up across the decades.
Works Catalog
Move from browsing into named works, media notes, and preserved year markers.
Places
Follow the Southwest and ancient-world geographies that recur across the work.
Start with a visual path
You do not have to begin with one long image grid.
The artwork guide helps visitors enter the gallery through stronger routes like Southwest imagery, ancient-world restoration, symbolic art, and Tucson-era studio traces.
Southwest and desert imagery
Follow Monument Valley, Four Peaks, Tucson, Taos, and related place-led work.
Ancient worlds and restoration
Use the art guide for Izapa, Maya, Egypt, Teotihuacan, and restoration-oriented pages.
Symbolic and sacred pieces
Move into visionary, religious, astronomical, and image-reading pages with clearer context.
Studio and public traces
Use the catalog, timeline, and MJA Studio trace pages when you are trying to identify a piece.
Named Works Already In The Public Record
Start with a work name when that is what you remember.
These are some of the clearest named anchors already preserved across the works catalog, timeline, Tucson / MJA Studio thread, and archaeology pages. They give visitors and search engines a more specific route into the visual archive without guessing at titles for every image in the grid.
Phoenix Bird
One of the clearest third-party artwork anchors in the archive, preserved through the Tucson / MJA Studio trail and connected back into the works catalog. Caption-ready fact pattern: 1982 work marker plus the July 26, 2008 outside web trace.
Designs for Tucson’s Gentle Ben’s
A named Tucson design cluster that helps bridge gallery browsing, public-facing work, and the studio-era archive. Caption-ready fact pattern: 1975 acrylic designs tied to Tucson.
Izapa Stela 5
One of the strongest ancient-world visual anchors, with a clearer outside-credit and source trail than most named pieces in the archive.
Blue Thunderbird Over Mt. Graham
A strong place-led and symbolic title that helps visitors enter the visual archive through the Southwest route instead of a single image grid. Caption-ready fact pattern: 1973 acrylic, Mt. Graham, Southwest visionary image.
Nolo Mi Tangere / Resurrection Scene
A named sacred-image anchor for readers who arrive through religious, symbolic, or image-reading threads rather than place names. Caption-ready fact pattern: 1977 foil collage, sacred-image theme.
Monument Valley Arizona collages
A later MJA Studio anchor that keeps the Southwest and collage trail visible for visitors who remember place before title. Caption-ready fact pattern: MJA Studio 1995 and handcut transparent acetate in the public record.
More than images
Guide art visitors into the writings and archive too.
Some people will land on an image first. The start-here guide helps them discover the writings, publications, and free downloads that connect to the visual record.
Need More Help?
Looking for a specific piece or something not shown publicly?
Use the contact page for unpublished artwork, background on a piece, permissions questions, or help identifying the right image.