Sources
This page shows which public sources support the biography, writings, artwork, and archive pages. It is here so readers can see what is established, what is interpretive, and where caution still matters.
Using The Source Library
Important Caution
Historical references to mjastudio.com matter as part of the public record, but they should not be read as proof of a current family-controlled site. The archive keeps historical trace and current stewardship separate on purpose.
Core Source Set
Supports the Class of 1969 marker and the public mention of the Saenz de Castillon Diary publication.
Open sourceQuick verification point for the public article count and contributor listing.
Open sourceThe main public hub for the blog network around art, symbolism, archaeology, and place-based writing.
Open sourceImportant for Tucson-era corroboration, historical MJA Studio references, and third-party presentation of the work.
Open sourceSupports the archaeology-and-restoration thread and related visual reconstruction work.
Open sourceThe deeper research blog layer behind the Saenz page and related symbolism writing.
Open sourceSupports the strongest biographical markers preserved in her own public voice.
See related pageTurns the preserved article list into a readable bibliography with direct article links.
Open publicationsWhen a source is your first clue
This keeps the source page practical for readers who remember a blog name, a contributor page, a studio trace, or one outside citation more than they remember the exact page title on this site.
Start with publications when the remembered clue is a byline, article title, contributor listing, or the preserved author bio.
Use the artwork guide and works catalog when the outside clue is a title, year marker, place-based image, or a visual theme rather than a full article.
Go to Tucson / MJA Studio when the strongest surviving clue is Phoenix Bird, a Tucson-era trace, public praise, or an old studio-era reference that needs careful context.
Follow these clues into Saenz, archaeology, or Izapa when the remembered source points to Pomona, Castillon, LDS Archaeology, restoration, or ancient-world reconstruction work.
How Sources Support The Pages
Pomona, UFO Digest, the Blogger profile, and the first-person article trio support the story page.
UFO Digest author and contributor pages support article counts, titles, and the preserved public byline.
CalleValentinus, T.S. Steve Minton, LDS Archaeology, and related blog traces support the artwork and place record.
Direct article links, research blogs, and selected outside references support the longer project pages.
Use The Sources To Find The Right Page
This makes the source library more useful for new visitors who arrive from a citation, a name search, or a specific article mention and need the clearest next step.
Use the topic hub when a source points to southern France, archaeology, anomalous experiences, or symbolic reading.
Move from source records into the biography when you want the clearest narrative thread instead of one source at a time.
Follow titles, places, and public traces into the artwork guide, gallery, and works catalog.
Use the downloads page when you want a public, no-site-watermark file and then branch back into the archive for context.
How To Use This Page Well
A source page is strongest when it helps someone verify a clue, then move into the biography, artwork, writings, or archive page that actually tells the fuller story.
When the question is whether a title, biography detail, or outside reference is real, start here and look for the strongest supporting trail.
When the clue is already verified enough, shift into the internal pages that gather place, timeline, topic, and visual context in one readable place.
When someone mainly wants to browse or download the visual work, do not leave them trapped in citations. Move them into the art pages with context.
Next Step
The source library is most useful when it sends people into the story, writings, artwork, downloads, and archive pages it helps explain.